100 Jazz-Licks (Level 1)

43 Jazz Licks (Level 2)

Idee für eine Strategie um Jazz Gitarrist zu werden:

Licks über 2-5-1-Verbindungen üben und dann entsprechend der Tonart verschoben anwenden.

1. F7 jazz guitar lick 0:04
2. F7 Jazz guitar lick 0:48
3. Fm7 Jazz guitar lick 1:34
4. Octave lick 2:28
5. Bb7 blue scale lick 3:10
6. E7 lick 3:55
7. Eb7 blue scale lick 4:30
8. Joe Pass dominant 7th lick 5:26
9. Eb lick I-VI-II-V7 6:35
10. Minor II-V-I lick 7:23
11. Minor II-V-I lick 8:16
12. Minor II-V-I lick 8:51
13. Major II-V-I lick 9:49
14. Major II-V-I lick 11:09
15. Major II-V-I lick 11:49
16. Bebop dominant lick 12:37
17. Bebop dominant lick 13:14
18. Bebop dominant lick 13:41
19. Bebop dominant lick 14:16
20. Tritone substitution 14:42
21. Tritone substitution 15:27
22. Dominant 7th lick - Blues scale 16:03
23. Tritone substitution 16:48
24. Grant Green lick 17:29
25. Grant Green lick 18:07
26. Tritone substitution 19:00
27. Dominant 7th lick 19:39
28. Grant Green lick 20:28
29. Grant Green lick 21:12
30. Dominant 7th lick 21:59
31. Grant Green lick 22:37
32. Tritone substitution lick 23:26
33. Jimmy Raney lick "Have you met miss Jones" 24:00
34. Minor lick 24:31
35. Tritone substitution lick 25:08
36. Grant green - n°1 green street 26:06
37. Grant green - Grantstand 28:12
38. Wes Montgomery - "Full house" part 1 29:12
39. Wes Montgomery - "Full house" part 2 30:00
40. Wes Montgomery lick 30:35
41. Wes Montgomery lick 31:22
42. Wes Montgomery lick 32:13
43. Wes Montgomery lick 32:58
44. Wes Montgomery lick 33:40
45. Wes Montgomery lick 34:26
46. Wes Montgomery lick 35:07
47. Charlie Christian lick 35:45
48. Wes Montgomery lick 36:23
49. Charlie Christian lick 37:00
50. Charlie Christian lick 37:50
51. Charlie christian benny's buggle 38:19
52. II-V-I lick + comping 39:47
53. II-V-I lick + comping 41:06
54. II-V-I lick + comping 42:10
55. II-V-I lick + comping 43:09
56. II-V-I lick + comping 44:47
57. John Scofield lick 45:54
58. John Scofield lick 46:53
59. Major lick 47:35
60. Major lick 48:31
61. Major lick 49:28
62. Dominant 7th lick 50:12
63. Dominant 7th lick 51:10
64. Melodic minor & augmented lick 52:05
65. Ionian mode 52:21
66. Harmonic minor 52:51
67. Melodic minor 53:16
68. Dominant 7th 53:41
69. Dominant 7th 54:14
70. Triplets & Hammer-ons - Blues scale 54:47
71. Half whole diminished lick 55:14
72. Half whole diminished lick 55:41
73. Half whole diminished lick 56:06
74. Half whole diminished lick 56:35
75. Half whole diminished lick 57:00
76. Dorian mode and minor arpeggio 57:29
77. F major seventh arpeggio 57:46
78. Minor 9th arpeggio 58:01
79. Minor arpeggio - Dorian mode 58:17
80. Half diminished arpeggio - minor arpeggio 58:33
81. Minor pentatonic scale 58:48
82. Minor 11th arpeggio 59:05
83. Dorian mode 59:19  
84. Dorian mode 59:34
85. Dominant 7th & minor arpeggio 59:50
86. Dominant 11th arpeggio and thirds intervals 1:00:06
87. Blues scale dorian mode 1:00:29
88. Dorian mode & major seventh 1:00:45
89. Harmonic minor scale 1:01:01
90. Dorian mode 1:01:26
91. Dorian mode 1:01:51
92. Dorian mode - m6 & m9 chords 1:02:07
93. Dorian mode 1:02:27
94. Minor 7th arpeggio 1:02:53
95. Dorian mode 1:03:10
96. II-V-I 1:03:26
97. II-V-I 1:03:54
98. II-V-I 1:04:22
99. II-V-I 1:04:50
100. Georges Benson lick 1:05:19

5 Dominant blues licks 0:06
10 Dominant Octave Licks 1:59
10 II V Bebop Patterns 7:50
10 minor Octave Licks 16:27
8 Pentatonic Lines Over Common Progressions 20:31